| Issue | Title | |
| No 3 (2023): Contemporary Musicology | On the Role of the ‘Passionate’ Rhythms of French Poetry of the 17th and Early 18th Centuries in the Genres of the chanson à danser and the danse chantée | Abstract PDF (Русский) |
| Larisa D. Pylaeva | ||
| No 2 (2022): Contemporary Musicology | On the Structure of the 16th Century Madrigals on Texts in Fixed Poetic Forms | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| Vol 10, No 1 (2026): Contemporary Musicology | On Viktor Ekimovsky’s Minimalism* | Abstract PDF (Русский) PDF |
| Yulia N. Panteleeva | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Opera and Revolution: The Bolshoi Theatre at the End of 1917 | Abstract PDF (Русский) PDF |
| Petr N. Gordeev | ||
| No 1 (2018): Современные проблемы музыкознания | Opera Parody In Russia The First Third Of The Twentieth Century And Cabaret: Vanishing Point | Abstract PDF (Русский) |
| Natela I. Enukidze | ||
| No 2 (2023): Contemporary Musicology | Opera which Involves Dance, or Ballet which Involves Singing: Comédie Lyrique on the Stage of the Royal Academy of Music in Paris | Abstract PDF (Русский) |
| Alexandra A. Safonova | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Operas by Poul Ruders: Artistic Ideas, Dramaturgy, Style | Abstract PDF (Русский) PDF |
| Ekaterina G. Okuneva | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Operatic forms of Mikhail Glinka in the context of Western European theory and practice | Abstract PDF (Русский) PDF |
| Irina P. Susidko | ||
| Vol 8, No 2 (2024): Contemporary Musicology | Orchestral Texture in Wang Xilin’s Symphonic Works | Abstract PDF (Русский) |
| Anna V. Klepova, Leyun Xian | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Paisiello e la Russia. Lettere al conte Voroncov, by G. Giuliano and P. De Simone* | Abstract PDF (Русский) PDF |
| Anton O. Demin | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Panorama of 20th Century Opera: from the History of One Cycle of the Main Editorial Board of Music Broadcasting of the All-Union Radio | Abstract PDF PDF (Русский) |
| Lyudmila V. Gavrilova | ||
| Vol 10, No 1 (2026): Contemporary Musicology | Pantomimes in the repertoire of the Crooked Mirror Miniature Theater: From theory to practice | Abstract PDF (Русский) PDF |
| Natela I. Enukidze | ||
| No 3 (2022): Contemporary Musicology | Paris Conservatoire and Development of Violin Performance | Abstract PDF (Русский) |
| Polina B. Podmazova | ||
| No 1 (2017): Contemporary Musicology | Parody magnificats by Orlando Lasso and Balduin Hoyoul | Abstract PDF (Русский) |
| Yuliya V. Moskvina | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Passacaglia and Chaconne: Interpretation of Tempo in Theoretical Sources of the 18th Century | Abstract PDF (Русский) PDF |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| Vol 10, No 2 (2026): Contemporary Musicology | Pierre Boulez’s Anthèmes I for solo violin: On the virtuosity | Abstract PDF (Русский) PDF |
| Sof’ya A. Devutskaya | ||
| No 2 (2017): Contemporary Musicology | Plots of Maurice Ravel’s ballets: sources and principles of formation | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Plurium Motetorum Mass by Claudin de Sermisy and Its Sources | Abstract PDF (Русский) |
| Margarita A. Grigorieva | ||
| No 4 (2021): Contemporary Musicology | Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis | Abstract PDF (Русский) |
| Julia M. Oparina | ||
| No 2 (2022): Contemporary Musicology | Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus | Abstract PDF (Русский) |
| Alena D. Verin-Galitskaya | ||
| No 3 (2020): Contemporary Musicology | Prokofiev’s ballet the tale of the stone flower: idea, creation, premiere | Abstract PDF (Русский) Abstract (Русский) |
| Svetlana A. Petukhova | ||
| Vol 9, No 2 (2025): Contemporary Musicology | Pskov-Krivichi Ethnomusicological Borderlines of the Russian Northwest | Abstract PDF (Русский) PDF |
| Larisa M. Belogurova | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Pyotr Tchaikovsky’s The Queen of Spades as a “Faustian” Plot: On the Problem of the Intertextual Content of the Opera | Abstract PDF (Русский) PDF |
| Natalia V. Korolevskaya | ||
| No 2 (2017): Contemporary Musicology | Quotations and allusions in Francis Poulenc’s Piano Improvisations | Abstract PDF (Русский) |
| Arseny I. Ivanov | ||
| Vol 9, No 3 (2025): Contemporary Musicology | Rachmaninoff and France: 1920s–30s | Abstract PDF (Русский) PDF |
| Vera B. Val’kova | ||
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