Vol 10, No 3 (2026)

Contemporary Musicology

Full Issue

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Table of Contents

Shostakovich in memoriam

Shostakovich and Bach: On the fugue subjects of omnitonal macrocycles (scale-system characteristics)
Kira I. Yuzhak
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10-43
The alternative of “opera&cinema” in Soviet culture of the 1930s–1950s and Shostakovich’s creative strategies
Marina G. Raku
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44-71

Early Music

Fathers and sons of partes music: A Concert by Vasily Titov in a mid-eighteenth-century arrangement
Anna V. Bulycheva
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72-107

History of Music in Letters and Documents

Beethoven’s Missa Solemnis in Russia: Arrangements by Alexander N. Serov and the Stasov Brothers’ circle
Larisa V. Kirillina
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108-137

Musical Theatre

On Albert Leman’s theatrical experience in the Kazan period
Diliya F. Khairutdinova
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138-169
Contemporary opera theatre in Kazakhstan: Origins and trends
Dina M. Mossiyenko, Galina N. Povalyashko
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170-199

Psychology of Music

The structure of musical experience: An attempt to construct a theoretical model
Dina K. Kirnarskaya
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200-241

Performing Arts

Amando Blanquer and the double bass: A performance-analytical study of L’ós Hispànic in twentieth-century Spanish chamber music
Antuán Arutyunyán Zhabsky, José Manuel Azorín Delegido
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242-285