| Issue | Title | |
| No 3 (2018): Contemporary Musicology | From the «Soyuz Zodchih» of 1917 to the Union of Soviet architects | Abstract PDF (Русский) |
| Yulia D. Starostenko | ||
| No 1 (2022): Contemporary Musicology | Fugue for 13 Solo Strings by Witold Lutoslawski: Between the Author’s Commentary and Musicological Reflection | Abstract PDF (Русский) |
| Irina V. Koposova | ||
| No 1 (2021): Contemporary Musicology | Fugues for chorus and soloist ensemble in Joseph Haydn's late masses | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Georges Bizet in the Service of the Opera: More than “Just” a Composer? | Abstract PDF PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 1 (2023): Contemporary Musicology | Greece and France: Concerning the Question of Georges Aperghis’ National Identity | Abstract PDF (Русский) |
| Tatyana O. Yakovleva | ||
| No 2 (2022): Contemporary Musicology | Gregorian Chant in Organ Sonatas by J.-N. Lemmens | Abstract PDF (Русский) |
| Elena A. Agapova-Strizhakova | ||
| No 1 (2018): Современные проблемы музыкознания | Handel’s Alcina libretto: lexic, structure and stage potential | Abstract PDF (Русский) |
| Tatiana M. Belova | ||
| No 1 (2021): Contemporary Musicology | Hans Rott: Gustav Mahler's contemporary | Abstract PDF (Русский) |
| Natalia I. Degtyareva | ||
| No 2 (2021): Contemporary Musicology | Haydn, Mozart and Pleyel: Rivalry And Interinfluences | Abstract PDF (Русский) |
| Dana A. Nagina | ||
| No 2 (2018): Contemporary Musicology | Images of musical theater in english painting of the XVIII century | Abstract PDF (Русский) |
| Yulia I. Agisheva | ||
| No 4 (2021): Contemporary Musicology | Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism | Abstract PDF (Русский) |
| Tatyana P. Razbeglova | ||
| No 4 (2022): Contemporary Musicology | International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko | Abstract PDF (Русский) |
| Veronica S. Kalistratova, Irina P. Susidko | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Interpretive Restoration: Othmar Schoeck’s Das Schloß Dürande in a New Edition | Abstract PDF PDF (Русский) |
| Yulia S. Veksler | ||
| No 3 (2017): Contemporary Musicology | Intertextuality in Music. Variations on the Topic | Abstract PDF (Русский) |
| Irina S. Stogniy | ||
| No 3 (2019): Contemporary Musicology | Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov | Abstract PDF (Русский) Abstract (Русский) |
| Vera B. Val’kova | ||
| Vol 8, No 2 (2024): Contemporary Musicology | Introduction to New Book on Stravinsky | Abstract PDF PDF (Русский) |
| Valery V. Glivinsky | ||
| No 3 (2019): Contemporary Musicology | Italian opera in Stalin’s Soviet Union | Abstract PDF PDF |
| Kiril Tomof | ||
| No 1 (2021): Contemporary Musicology | J.M. Hauer: the phenomenon of Zwölftonspiel | Abstract PDF (Русский) |
| Yulia S. Veksler | ||
| No 1 (2022): Contemporary Musicology | J.S. Bach’s Canons BWV 1087: More on Musical Emblematics | Abstract PDF (Русский) |
| Alla I. Yankus | ||
| No 4 (2021): Contemporary Musicology | J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text | Abstract PDF (Русский) |
| Irina S. Stogniy | ||
| Vol 9, No 1 (2025): Contemporary Musicology | La molinara in the Theatre of Stepan S. Apraksin (Based on the Note Manuscripts of the Apraksin & Golitsyn’s Collection in the Russian State Library) | Abstract PDF (Русский) PDF |
| Alexandra A. Safonova | ||
| Vol 8, No 1 (2024): Contemporary Musicology | Lermontov’s Texts in Tchaikovsky’s Oeuvre | Abstract PDF (Русский) |
| Zivar M. Guseinova | ||
| No 1 (2020): Contemporary Musicology | Masterpieces made to order: Beethoven’s late string quartets | Abstract PDF (Русский) Abstract (Русский) |
| Elena V. Sidorova | ||
| No 1 (2022): Contemporary Musicology | Maxim Berezovsky’s Concerto Do Not Reject Me In My Old Age: A Perspective From Johann Joseph Fux’ School of Fugue | Abstract PDF (Русский) |
| Kirill V. Diskin | ||
| No 3 (2020): Contemporary Musicology | Mikhail Glinka and his Russian disciples in Europe: contextual analysis of a forgotten history | Abstract PDF (Русский) Abstract (Русский) |
| Svetlana K. Laschenko | ||
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