| Issue | Title | |
| Vol 9, No 1 (2025): Contemporary Musicology | Early Stage Works by Stanisław Moniuszko: History of Creation and Productions in Minsk and Vilnius | Abstract PDF (Русский) PDF |
| Olga V. Sobakina | ||
| No 2 (2023): Contemporary Musicology | E.K. Malinovskaya and Ballet | Abstract PDF (Русский) |
| Petr N. Gordeev | ||
| No 4 (2020): Contemporary Musicology | Embraced by Music of Love: in Memoriam of J. B. Viotti | Abstract PDF (Русский) Abstract (Русский) |
| Polina B. Podmazova | ||
| No 4 (2020): Contemporary Musicology | F. J. Fetis and His Role in the Development of French Organ Playing School in the Second Half of the 19th Century | Abstract PDF (Русский) Abstract (Русский) |
| Elena A. Strizhakova | ||
| Vol 10, No 3 (2026): Contemporary Musicology | Fathers and sons of partes music: A Concert by Vasily Titov in a mid-eighteenth-century arrangement | Abstract PDF (Русский) PDF |
| Anna V. Bulycheva | ||
| Vol 10, No 2 (2026): Contemporary Musicology | Fiametta’s Four Dead Men by Nikolai Evreinov: From the History of Pantomime at the Crooked Mirror Miniature Theatre | Abstract PDF (Русский) PDF |
| Natela I. Enukidze | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Folk Songs in the Organ Music of Basque Composers | Abstract PDF (Русский) PDF |
| Gabriela Ana Navarro Landaverria | ||
| No 3 (2019): Contemporary Musicology | Foxtrot for orchestra «St. Thomas wake» by P.M. Davies: a prayer or a burlesque? | Abstract PDF (Русский) Abstract (Русский) |
| Yulia I. Agisheva | ||
| Vol 10, No 2 (2026): Contemporary Musicology | Franz Liszt and Sigismond Thalberg’s piano “duel” as perceived by their contemporaries: A study based on nineteenth-century French periodicals | Abstract PDF (Русский) PDF |
| Tatiana N. Gulaya, Olga V. Zhestkova | ||
| No 1 (2023): Contemporary Musicology | French Musicians of the 18th Century on the Interpretation of Compositions by Jean-Baptiste Lully | Abstract PDF (Русский) |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| Vol 8, No 3 (2024): Contemporary Musicology | From the History of the Publication of the Opera The Woman with the Dagger: Vladimir Rebikov — Boris Jurgenson — Arthur Schnitzler | Abstract PDF PDF (Русский) |
| Elena M. Shabshaevich | ||
| No 3 (2018): Contemporary Musicology | From the «Soyuz Zodchih» of 1917 to the Union of Soviet architects | Abstract PDF (Русский) |
| Yulia D. Starostenko | ||
| No 1 (2022): Contemporary Musicology | Fugue for 13 Solo Strings by Witold Lutoslawski: Between the Author’s Commentary and Musicological Reflection | Abstract PDF (Русский) |
| Irina V. Koposova | ||
| No 1 (2021): Contemporary Musicology | Fugues for chorus and soloist ensemble in Joseph Haydn's late masses | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Georges Bizet in the Service of the Opera: More than “Just” a Composer? | Abstract PDF PDF (Русский) |
| Irina S. Zakharbekova | ||
| Vol 9, No 2 (2025): Contemporary Musicology | German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy) | Abstract PDF (Русский) PDF |
| Anastasia S. Voitseshko, Zivar M. Guseinova | ||
| No 1 (2023): Contemporary Musicology | Greece and France: Concerning the Question of Georges Aperghis’ National Identity | Abstract PDF (Русский) |
| Tatyana O. Yakovleva | ||
| No 2 (2022): Contemporary Musicology | Gregorian Chant in Organ Sonatas by J.-N. Lemmens | Abstract PDF (Русский) |
| Elena A. Agapova-Strizhakova | ||
| No 1 (2018): Современные проблемы музыкознания | Handel’s Alcina libretto: lexic, structure and stage potential | Abstract PDF (Русский) |
| Tatiana M. Belova | ||
| No 1 (2021): Contemporary Musicology | Hans Rott: Gustav Mahler's contemporary | Abstract PDF (Русский) |
| Natalia I. Degtyareva | ||
| Vol 10, No 2 (2026): Contemporary Musicology | Harmonics and pitch organization of the traditional tanbûr | Abstract PDF (Русский) PDF |
| Abduvali A. Abdurashidov | ||
| No 2 (2021): Contemporary Musicology | Haydn, Mozart and Pleyel: Rivalry And Interinfluences | Abstract PDF (Русский) |
| Dana A. Nagina | ||
| Vol 9, No 2 (2025): Contemporary Musicology | Il modo di fare le fughe: On the Neapolitan Fugue Model in the 18th Century | Abstract PDF (Русский) PDF |
| Anastasia I. Maslova | ||
| No 2 (2018): Contemporary Musicology | Images of musical theater in english painting of the XVIII century | Abstract PDF (Русский) |
| Yulia I. Agisheva | ||
| No 4 (2021): Contemporary Musicology | Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism | Abstract PDF (Русский) |
| Tatyana P. Razbeglova | ||
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