| Issue | Title | |
| No 2 (2023): Contemporary Musicology | Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 1 (2019): Contemporary Musicology | Music in the service of the Habsburgs: Austrian oratorio genres of the 17th - 18th centuries at the intersection of spiritual and court culture | Abstract PDF (Русский) Abstract (Русский) |
| Lada Y. Aristarkhova | ||
| No 3 (2021): Contemporary Musicology | Music is an architecture revived: a gothic cathedral as a model for a perfect musical composition as seen by Vincent D'indy | Abstract PDF (Русский) |
| Elena V. Rovenko | ||
| No 4 (2019): Contemporary Musicology | Music Theory à la Leningrad: an Interview with Tatiana Bershadskaya | Abstract PDF Abstract |
| Philip Ewell | ||
| No 3 (2022): Contemporary Musicology | Musical, Artistic, and Teaching Approaches of M.I. Fikhtengolts and V.O. Rabey: Relevance for Today’s Art of Violin Playing | Abstract PDF (Русский) |
| Tatyana N. Kazanskaya | ||
| No 1 (2022): Contemporary Musicology | Musical Interpretations of Amor, Se Vuo’ Ch’i’torni Al Giogo Anticho by Petrarch in Canzones by Bartolomeo Tromboncino, Bernardo Pisano and Sebastiano Festa | Abstract PDF (Русский) |
| Elena V. Pankina | ||
| No 2 (2019): Contemporary Musicology | Musicology: Questions, Questions, etc. | Abstract PDF (Русский) Abstract (Русский) |
| Natalia S. Gulyanitskaya | ||
| No 1 (2023): Contemporary Musicology | My Academic Advisor Natalia Sergeevna Gulyanitskaya | Abstract PDF (Русский) |
| Vitaly V. Aleev | ||
| No 2 (2020): Contemporary Musicology | New Music in Post-1918 Austria and Germany: From Revolt to Consolidation | Abstract PDF (Русский) Abstract (Русский) |
| Yulia S. Veksler | ||
| No 3 (2017): Contemporary Musicology | On Nikolai Korndorf’s Music: in Space of Intertextuality | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 1 (2023): Contemporary Musicology | On N.S. Gulyanitskaya’s Scientific Creation | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 4 (2023): Contemporary Musicology | On the Narrative and Architectonics Applied to Daniil Kharms’ Prose | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| No 3 (2023): Contemporary Musicology | On the Role of the ‘Passionate’ Rhythms of French Poetry of the 17th and Early 18th Centuries in the Genres of the chanson à danser and the danse chantée | Abstract PDF (Русский) |
| Larisa D. Pylaeva | ||
| No 2 (2022): Contemporary Musicology | On the Structure of the 16th Century Madrigals on Texts in Fixed Poetic Forms | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Opera and Revolution: The Bolshoi Theatre at the End of 1917 | Abstract PDF (Русский) PDF |
| Petr N. Gordeev | ||
| No 1 (2018): Современные проблемы музыкознания | Opera Parody In Russia The First Third Of The Twentieth Century And Cabaret: Vanishing Point | Abstract PDF (Русский) |
| Natela I. Enukidze | ||
| No 2 (2023): Contemporary Musicology | Opera which Involves Dance, or Ballet which Involves Singing: Comédie Lyrique on the Stage of the Royal Academy of Music in Paris | Abstract PDF (Русский) |
| Alexandra A. Safonova | ||
| Vol 8, No 2 (2024): Contemporary Musicology | Orchestral Texture in Wang Xilin’s Symphonic Works | Abstract PDF (Русский) |
| Anna V. Klepova, Leyun Xian | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Panorama of 20th Century Opera: from the History of One Cycle of the Main Editorial Board of Music Broadcasting of the All-Union Radio | Abstract PDF PDF (Русский) |
| Lyudmila V. Gavrilova | ||
| No 3 (2022): Contemporary Musicology | Paris Conservatoire and Development of Violin Performance | Abstract PDF (Русский) |
| Polina B. Podmazova | ||
| No 1 (2017): Contemporary Musicology | Parody magnificats by Orlando Lasso and Balduin Hoyoul | Abstract PDF (Русский) |
| Yuliya V. Moskvina | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Passacaglia and Chaconne: Interpretation of Tempo in Theoretical Sources of the 18th Century | Abstract PDF (Русский) PDF |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| No 2 (2017): Contemporary Musicology | Plots of Maurice Ravel’s ballets: sources and principles of formation | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Plurium Motetorum Mass by Claudin de Sermisy and Its Sources | Abstract PDF (Русский) |
| Margarita A. Grigorieva | ||
| No 4 (2021): Contemporary Musicology | Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis | Abstract PDF (Русский) |
| Julia M. Oparina | ||
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