| Issue | Title | |
| No 4 (2022): Contemporary Musicology | The Forms in Giovanni Simone Mayr’s Opera Arias: At the Turn of Classical And Romantic | Abstract PDF (Русский) |
| Nina V. Pilipenko | ||
| No 3 (2019): Contemporary Musicology | The genre of concert symphony in the works of Haydn and Mozart | Abstract PDF (Русский) Abstract (Русский) |
| Dana A. Nagina | ||
| Vol 8, No 1 (2024): Contemporary Musicology | The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot | Abstract PDF PDF (Русский) |
| Anton Vagero, Nina V. Pilipenko | ||
| No 2 (2022): Contemporary Musicology | The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges | Abstract PDF (Русский) |
| Nailya V. Nasubulina | ||
| Vol 8, No 2 (2024): Contemporary Musicology | The Musical Rhetoric of Richard Strauss: Towards Setting the Problem | Abstract PDF (Русский) |
| Natalia O. Vlasova | ||
| No 2 (2019): Contemporary Musicology | The Ontology of the Work: Exploring the Creative Discourse | Abstract PDF Abstract |
| Roger Redgate | ||
| No 2 (2018): Contemporary Musicology | The opera "Boris Goudenow, oder Der durch Verschlagenheiterlangte Trohn" by Iohann Matteson in the political context of the era | Abstract PDF (Русский) |
| Evgeniya Yu. Shigaeva | ||
| No 1 (2017): Contemporary Musicology | The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century | Abstract PDF (Русский) |
| Irina P. Susidko | ||
| No 4 (2023): Contemporary Musicology | The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem | Abstract PDF (Русский) |
| Andrey A. Nisenbaum, Olga V. Sobakina | ||
| No 4 (2018): Contemporary Musicology | The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia | Abstract PDF (Русский) |
| Olesya A. Bobrik | ||
| No 1 (2021): Contemporary Musicology | The phantom of the opera: Mozart's Zaide on stage | Abstract PDF (Русский) |
| Karina I. Zybina | ||
| No 1 (2017): Contemporary Musicology | The principal chorale in «Clavier-Übung III» by J.S. Bach | Abstract PDF (Русский) |
| Elena V. Viаskova | ||
| No 3 (2018): Contemporary Musicology | The revolution of 1917 and the phenomenon of soviet musicology | Abstract PDF (Русский) |
| Tatiana I. Naumenko | ||
| Vol 8, No 3 (2024): Contemporary Musicology | The Scene of the Council Hall: the Storyline and the Structure of the Grand Final Scene in the Second Edition of Verdi’s Opera Simon Boccanegra | Abstract PDF PDF (Русский) |
| Anastasia A. Logunova | ||
| No 3 (2023): Contemporary Musicology | The Sources for Reconstruction of Piotr Lambin’s Artistic Biography | Abstract PDF (Русский) |
| Elena N. Baiguzina, Elizaveta M. Kolodina | ||
| No 4 (2020): Contemporary Musicology | The Steel Step ballet by Sergei Prokofiev in Paris and London (1927) | Abstract PDF (Русский) Abstract (Русский) |
| Ivan D. Porshnev | ||
| Vol 8, No 1 (2024): Contemporary Musicology | The Structural Poetics of Nikolai Korndorf’s Piano Trio | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| Vol 8, No 3 (2024): Contemporary Musicology | The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions | Abstract PDF PDF (Русский) |
| Irina V. Klimova | ||
| No 4 (2019): Contemporary Musicology | The Theme of Childhood in French 19th-Century Music: a First-Time Overview | Abstract PDF (Русский) Abstract (Русский) |
| Irina S. Zakharbekova | ||
| No 1 (2023): Contemporary Musicology | The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology | Abstract PDF (Русский) |
| Tatiana I. Naumenko | ||
| No 4 (2017): Contemporary Musicology | The «Polyphony» of Compositional Tools in the Music by Michael Nyman | Abstract PDF (Русский) |
| Aleksandra Y. Alekseeva | ||
| Vol 8, No 1 (2024): Contemporary Musicology | Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise | Abstract PDF (Русский) |
| Anna V. Bulycheva, Aleksandra V. Alexandrina | ||
| No 4 (2022): Contemporary Musicology | Thomas Tallis’ Magnificats: Features Of The Genre | Abstract PDF (Русский) |
| Ekaterina V. Svirskaya | ||
| No 4 (2017): Contemporary Musicology | Three methods of play with «loanword» in Luciano Berio’s music | Abstract PDF (Русский) |
| Nadezhda A. Travina, Mikhail A. Saponov | ||
| No 1 (2020): Contemporary Musicology | To the perfect instruments of Arnolt Schlick | Abstract PDF (Русский) Abstract (Русский) |
| Fedosia W. Tabyisova | ||
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